A lot of what producers and indie musicians are raging about right now: monopoly ecosystems, payola, playlist politics, Grammys, “being blocked” — is real in the sense that it exists. But it’s not real in the way most people think.
Because the thing they’re fighting for isn’t a fair marketplace. It’s access to a manufactured reality.
And that’s the part nobody wants to admit: most of the “industry” that people feel cut out of is a marketing illusion that has always been engineered, funded, and distributed like a product.
This article is about separating what’s actually broken from what’s simply designed and showing where the real leverage is for anyone willing to stop worshipping the lottery-ticket version of music.


