Most musicians grow up believing the goal is streams.
More streams means more fans. More fans means more income. More income means sustainability.
It sounds logical. It feels modern. It looks impressive on a dashboard.
But financially, streaming is one of the weakest primary revenue models available to independent producers.
Licensing is not.
This article breaks down why licensing consistently outperforms streaming in real dollars, how the economics actually work, and why serious producers increasingly prioritize sync over playlist metrics.


